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Sachin Dev Burman Background information Native name শচীন দেব বর্মন Also known as Burman da, Kumar Sachindra Dev Barman, Sachin Karta, S. Burman Born ( 1906-10-01)1 October 1906 (princely state), (Present-day, ) Died 31 October 1975 (1975-10-31) (aged 69), India Genres Lite Classical, Bollywood, Indian music, Occupation(s), Instruments, Sarod, Harmonium, Khol, Tabla, Harmonica Years active 1932–1975 Sachin Dev Burman (1 October 1906 – 31 October 1975) was an Indian music director and singer. A member of the, he started his career with films in 1937. Later he began composing for movies, and became one of the most successful film music composers.

S D Burman composed music for over 100 movies, including Hindi and. Apart from being a versatile composer, he also sang songs in light semi-classical and folk style of. His son was also a celebrated music composer for.

Burman's compositions have been sung by leading singers of the period including, and. And have also sung songs composed by him. He has himself sung about 14 and 13 film songs.

Sachin's abandoned house in Comilla Burman was born on 1 October 1906, in, (in present-day ) to Raj Kumari Nirmala Devi, the royal princess of and, son of Maharaja Ishanachandra Manikya Dev Burman, (r. Sachin was the youngest of the five sons of his parents, who had nine children in all. His mother died when he was just two years of age. Education S D Burman's first school was at in,. It was a boarding school in the likes of and for sons of the royalty and the very rich. SD Burman's father, Raja Nabadweepchandra Deb Burman noticed the teachers were more busy with pampering the sons of the nobility than educating them. S D Burman's father took him from Kumar Boarding and admitted him at in Comilla, before he was admitted in Class V in.

From he completed his Matriculation in 1920 at the age of 14. He then got admitted at Victoria College, Comilla, which is presently from where he passed his IA in 1922 and then BA in 1924.

S D Burman left for Kolkata to start an MA in Calcutta University, which he did not finish as music got the better of him for good. He started his formal music education by training under the musician from 1925 to 1930; thereafter in 1932 he came under the tutelage of Bhismadev Chattopadhaya, who was only three years his senior. This was followed by training from Ustad Badal Khan, the maestro, and, the sarodist. He brought K.C. Dey, Badal Khan and Allauddin Khan to. The noted Bengal poet laureate, also spent time in their family home in Comilla in the early '20s. 1930s S D Burman started working as a radio singer on Calcutta Radio Station in the late '20s, when his work as a singer-composer was based on Bengali folk and light Hindustani classical music.

Consequently, his compositions were mainly influenced by his huge repertoire of folk-tunes from present Bangladesh and later other parts of India and around the world. His first record was also released in 1932 (Hindustan Musical Product), with 'Khamaj' (semi classical), 'E Pathey Aaj Eso Priyo' on one side, and the folk 'Dakle Kokil Roj Bihane' on the reverse side, on 78 rpm for Hindustan Records. In the following decade, he reached his peak as a singer, cutting as many as 131 songs in, and also sang for composers like Himangsu Dutta (8), RC Boral (1), Nazrul Islam (4), Sailesh Das Gupta (2) and Subal Das Gupta (1). He also sang for Madhavlal Master (1) and son (1). In 1934, he attended the All India Music Conference, at the invitation of, where he presented his Bengali, all to an illustrious audience, with the likes of and the inimitable of. Later in the year, he was invited to Bengal Music Conference, Kolkata, which was inaugurated by, here again he sang his Thumri, and was awarded a Gold Medal.

He built a house in Southend Park,. He married his student, Meera Das Gupta (1920–2007), the granddaughter of Magistrate Raibahadur Kamalnath Dasgupta from on 10 February 1938 in Calcutta, though according to some, having married a non-royal, created a furore within the royal family, and subsequently he severed ties with his family, and forfeited his inheritance. According to some others, S.D.

Burman severed ties with his royal family because he was frustrated with the unjust and unfair treatment meted out to his father and his brothers by the royal family of Tripura. The couple's only child, was born in 1939, and later, both Meera Devi and Rahul assisted S.D. Burman with some of the musical compositions.

Burman also did a singing role in the film Selima (1934) and another role in Dhiren Ganguli's film Bidrohi (1935) As a music composer, he started with the Bengali plays Sati Tirtha and Janani, and eventually gave his first score in the film Rajgee. In 1937, his second film Rajkumarer Nirbashan (1940) became a hit. He gave music in films such as Protishodh (1941), Abhoyer Biye (1942) and Chaddobeshi (1944) and only one Bengali film in 1969/70 after he permanently moved to Mumbai in 1946. He composed for over 20 Bengali films and 89 Hindi films in all.

He made his film debut singing in Yahudi ki Ladki (1933) but the songs were scrapped and re-sung. His first film as a singer was finally Sanjher Pidim (1935).

1940s In 1944, Burman moved to Mumbai, at the request of Sasadhar Mukherjee of, who asked him to give score for two starrers, Shikari (1946) and Aath Din, but his first major breakthrough came the following year with the company's Do Bhai (1947). The song Mera Sundar Sapna Beet Gaya sung by was his breakthrough song into the film industry. In 1949 came, his biggest hit yet with, especially noticeable for its multi-lingual hit song Yeh Duniya Roop ki Chor, by Shamshad Begum, which became a rage in those days. 1950s Disillusioned with the materialism of Mumbai, Burman left the starred Mashaal (1950) incomplete and decided to board the first train back to. Fortunately, he was dissuaded from doing so. In 1950s, Burman teamed up with 's Nav Ketan Productions to create musical hits like, Nau do Gyarah (1957) and Kala Paani (1958).

In addition, he gave music for (1955) and (1957). The songs sung by and became popular. Burman composed the music for 's production company 's first film Afsar (1950). With the success of their second film (1951), he made it to the top and a long association with Navketan and was on its way. 'Baazi's jazzy musical score revealed a new facet of singer, who was mainly known for melancholy songs and.

While every song in the film was a hit, one stood out for special appeal – 'Tadbir se Bigdi Hui Taqdeer', a that was occidentalised into a seductive song. The 'jaal' song 'Yeh raat yeh chandni' by Hemant Kumar is an all-time great classic.

The song 'Thandi Hawain' from Naujawan (1951) sung by Lata Mangeshkar was one of his first major hits. It made Lata very famous as also poet Sahir. He also wrote music for the classics – (1957) and (1959). The soundtrack of (1955) was also composed by him. (1955), (1956), and Solva Saal (1958) were other S. In 1959 came, a masterpiece by, and S.

Created magic again with 'Jalte hai jiske liye' by Talat Mamood. When Guru Dutt made comparatively light-weight films like and (1952), Burman reflected their mood with compositions like 'Suno Gajar Kya Gaye' or 'De Bhi Chuke Hum' and when Guru Dutt made his somber masterpieces – Pyaasa (1957) and Kaagaz ke Phool (1959), he was right on target with 'Jinhe Naaz Hai Hind' and 'Waqt ne Kiya Kya Haseen Sitam'.

In 2004, the soundtrack for Pyaasa was chosen as one of 'The Best Music in Film' by, the magazine. Burman fell out with and adopted her younger sister as his lead female singer.

The team of S. Burman, and lyricist became popular for their duet songs. Thus, he was responsible along with for shaping as a singer of repute, who became his daughter-in-law after she married. Burman gave music for 's house production, the same year he was awarded the for Music direction of Sujata and remains the only music director to have won the prestigious award. Burman often took inspiration from folk music, Hindustani classical music as well as the more mundane day to day sounds of life. For example: in a later interview, he discussed how he had composed the tune for the Majrooh Sultanpuri / Md. Rafi / Dev Anand song 'Hum bekhudi mein tum' based upon the 'Raag Chayyanat' and the call for prayers that one hears daily near a mosque.

1960s Early on in his career, Burman refused to allow his voice to be lip-synced on film by actors, as a result, even later on, in, his thin yet powerful voice was often used as commentary to haunting results, as in 'Ore Majhi Mere Sajan Hai Us Paar' from (1963), 'Wahaan Kaun hai Tera' from (1965) and finally 'Safal Hogi Teri Aradhana' from (1969), for which he received the for the year, 1970. Ill health caused a slump in his career in the early 1960s, but he gave many hit films in the late 1960s. Burman and came together during the recording of 's first song for the movie Chhote Nawab (1961). They reconciled their differences and started working again in 1962. Burman partnership, under the Navketan banner, continued to churn out musical hits like (1960), (1963), Teen Devian (1965), (1965) and (1967). In 1963, he composed songs for Meri Surat Teri Aankhen and sang the song 'Poocho Na Kaise Maine' in Ahir Bhairav. This song is inspired by a kazi nazrul Islam song 'Arun kanti ke go' and a Ustad Mushtaq Hussain Khan's Khayal which was based on raga Ahir bhairav (morning ragaa).

That movie also had a song 'Nache Mora Manwa Magan', sung by Rafi, and these became landmarks in Hindi film songs. Burman hits from this period were (1963) and (1964).

In Bandini, Sampooran Singh (well known as ), made his debut as a lyricist with the song 'Mora Gora Ang lai le, mohe shaam rang daai de', although other songs were written. (1965) starring Dev Anand, was probably the best of his work during the time with all the songs super-hits as well as the film; but unfortunately it did not receive the in best music director category for that year, which remained always a discussion among the Bollywood film pandits. (1969) is considered another landmark score in the Bollywood history. The music of the movie shaped the careers of singer, lyricist and filmmaker Shakti Samanta. Burman wrote the music for all the songs of Aradhana, but fell ill soon after and handed over the task of composing the background music for the film to his young upcoming talented son R. For the song 'Mere Sapno ki raani', Sachin Dev made R.

Play the mouth organ. Burman continued their musical partnership in (1969).

Burman had a strong sense of self-pride and was very professional in his work. 1970s (1971), (1971), (1973), (1974), (1974), (1975), and (1975) are other classics from this period. Burman went into a coma soon after rehearsing the song 'Badi sooni sooni' (sung by ) for the film Mili. He died on 31 October 1975 in. On 1 October 2007, marking his 101st birth anniversary, released a commemorative postage stamp, in, where an exhibition on his life and work was also inaugurated; the state government of also confers the yearly 'Sachin Dev Burman Memorial Award' in music. Relationship with Kishore Kumar Sachin was the only composer who had used both Rafi and Kishore in an almost equal number of songs.

Sachin Dev Burman Hindi Songs Mp3 Free Download

He regarded Kishore as his second son. Kishore confessed that it was Sachin Da, who had given him the first chance. Even after the rehearsal of 'Badi Sooni Sooni' from Milli, when Sachin had a stroke, Kishore went up to the hospital and said to him 'Dada, Please don't worry, your recording is after three days, you just see how well it goes.' The song is considered one of the best of Kishore Kumar. Sachin also used to telephone Kishore in the dead of night, and on the telephone, he would start to sing the new tunes which he composed and ask Kishore to sing with him. In popular culture British singer of South Asian heritage, recorded a CD of Burman's work, Forbidden Kiss: The Music of S.D. Burman, an album of covers of Burman compositions.

Mp3 Song Hindi Songs Download

The Indian cricketer was named after the composer by Sachin's grandfather, who was an ardent fan of Burman. The singer and mimicry artist frequently parodies the nasal high-pitched voice and quixotic singing style of S. Burman paired with tabla maestro late Brajen Biswas for his Bengali songs.

The beats or 'thekas' created by Brajen Babu for these songs are unique and no one in the world can sing these songs in the original 'thekas'. All the 'thekas' are according to the mood of the songs.

But recently, painter, sculptor and singer Ramita Bhaduri sang the tough songs of Burman such as 'Ami chhinu aka', 'Rangeela', 'Aankhi Duti Jhare' etc. In the original 'theka' on the taleem of Brajen Biswas. The CD from 'Raga Music' (Symphony) was released at Kolkata Press Club. The CDs are available in M. Biswas & Symphony. Burman had a unique style of composing film songs. While most of the composers used a harmonium or piano to compose the tune, he composed tunes using rhythm such as clapping hands.

He was very fond of 'Paan' which was specially made by his wife with a piece of dried orange peel and 'kevda' flower (Odoratissimus flower) for flavour and taste. In addition, there were his chosen paanwalas (paan vendors) near Khar Station, his bungalow 'The Jet' and Bharati Vidya Bhavan from where he could get paans to his liking. That was the reason that he would not share his paan with anyone as he will run short of his paans.

He would carry only few extra paana which he would give as a reward to the one whom he appreciated for his work. SD Burman's first biography in English is 'Incomparable Sachin Dev Burman'. Written by HQ Chowdhury.

It was published by Toitoomber from Dhaka, Bangladesh. Filmography. The Daily Star.

30 October 2009. Retrieved 29 May 2015. Sarma, Ramya (2013-09-02).

Retrieved 2015-12-21. 21 August 2011 at the. ^ 'filmreference.com'., 1 October 2006. ^., 17 October 2007. 'Music India OnLine'. 15 August 2009 at the., 24 February 2005.

tripurainfo.com. 18 November 2010 at the. theemusic magazine, 31 October 2002. www.downmelodylane.com. Olivier Assayas (September 2004). Retrieved 26 April 2009.

Official listing. 16 August 2007 at the.

Bharatan, Raju. Retrieved 17 January 2017. External link in website=., 28 July 2006. 22 June 2008 at the. Chowdhury, H.Q. (1 January 2011).

Dhaka, Bangladesh: Toitomboor. Retrieved 17 January 2017. Official website. 31 January 2012 at the., 1 October 2008. External links Wikimedia Commons has media related to. on. A website dedicated to Sachin Dev Burman.

A website dedicated to Sachin Dev Burman. epaper.timesofindia.com. Retrieved 2018-02-26. The Hundred Luminaries of Hindi Cinema, by, Jitendra Kothari. India Book House Publishers, 1996., page 1919.

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